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See a Little Light: The Trail of Rage and Melody
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The long-awaited, full-force autobiography of American punk music hero, Bob Mould.
Bob Mould stormed into America's punk rock scene in 1979, when clubs across the country were filling with kids dressed in black leather and torn denim, packing in to see bands like the Ramones, Black Flag, and the Dead Kennedys. Hardcore punk was a riot of jackhammer rhythms, blistering tempos, and bottomless aggression. And at its center, a new band out of Minnesota called Hüsker Dü was bashing out songs and touring the country on no money, driven by the inspiration of guitarist and vocalist Bob Mould. Their music roused a generation.
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Audible Audiobook
Listening Length: 12 hours and 34 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Hachette Audio
Audible.com Release Date: June 15, 2011
Whispersync for Voice: Ready
Language: English, English
ASIN: B0055WXSLQ
Amazon Best Sellers Rank:
Bob Mould. I respect the man - saw him recently for the first time since a Hüsker Dü show back in '87 and he practically blew the roof off, playing material from Silver Age all the way back to In a Free Land. He's definitely still got chops. As musician, songwriter and performer, he's one of the best - as a human being, this bio seems to confirm my prior impressions of basically a decent, but self-centered, emotionally-stunted, avoidant, small, petty, occasionally cruel and somewhat shallow individual who seems generally to lack interest in the world outside of music, sex, business and himself.After reading his description of the circumstances surrounding the breakup of the Hüskers and his ending contact with Grant Hart, I can understand why it happened and why they will likely never reunite. On the other hand, Mould seems to be unnecessarily malicious and dismissive of Greg Norton, an integral and energetic part of the band as well as a solid player and probably the only one of the three Hüskers you might actually want to hang out with.The book is good reading regarding Mould's early life - the scenes, influences, band line-up formations, creative/writing processes, his composition techniques, etc. And while the stories behind particular songs, on-the-road tales of tours, group dynamics and personalities are engaging stuff, the further one gets into the book the more it becomes primarily about Bob's sexuality, his "crushes", hook-ups, turbulent interpersonal relationships, coming-out, and general "gayness". Whatever. Compensatory narcissism, indeed. He is prone to over-eroticization of the dynamics of interaction amongst males whether speaking of bandmates, associates, acquaintances, strangers and/or friends. It becomes tedious after a while, and the last 20% or so of the book is actually rather dreary - as another reviewer has noted, it loses its focus - this is around the same point that it begins to read like the diary entries of a sexually-obsessed sixteen-year-old. And an entire chapter on his short time in the moronic world of "professional wrestling" with nary a critical word about the incredible inanity of the whole idiotic spectacle? Please.Mould is a giant in music, and much of his work is majestic in an aesthetic sense that is probably yet to be fully appreciated. Some of his greatness surely comes from the anguish and turmoil that have characterized his life and that he has communicated in this book - he's "gone through some stuff" and obviously carries emotional burdens that readers and fans can empathize with and recognize as a source of creativity, as well as flaws. As for the man himself, I'll just take the music please, and consider that I now know more about him than I ever wanted to.
This is a solid book. Well written, interesting and informative. But it is spoiled by the following: As a huge fan of Husker Du I was happy to see this book coming out, since there is so little information out there about this legendary band. But, I must say that I was very dissapointed with the treatment that Bob gives to his former Husker bandmates. It's written from the perspective that only he was Husker Du, and the other two members were mere annoyances. That's a major distortion of history. Husker Du was an amazing band because of all three members, each crucial in their own ways, with two of the members (Mould and Hart) being equals in songwriting and as vocalists. Bassist Greg Norton comes across in this book as a non-person. For someone who laid down some great bass lines and held all of the beautiful noise together in this three piece band, I found it a little disturbing that Mould says absolutely nothing positive about his contributions throughout the book. Instead he chooses to ridicule him on numerous occasions. Very petty! And when he grudgingly gives Hart a tiny bit of credit throughout the book, he immediately follows it up with something extremely negative or critical, or of the nature of "I did better than him."I have never met any of the three members of Husker Du and know nothing about them personally. However, after reading this book I find myself liking Bob Mould a lot less as a person. I mean, come on-is there nothing positive that he can say about Grant Hart and Greg Norton, who together with him made three of the most amazing albums ever put out in less than a 2 year span (Zen Arcade, New Day Rising and Flip Your Wig)? Those three albums are all "10's". It took all three of them to make these albums so good. How about a little appreciation of the band, and not just of his own contributions to it? Husker Du would have been a shell of a band without Grant Hart, just as it would have been without Bob Mould.It will be interesting to see if Grant's perspective is covered in the upcoming film, "Every Everything".
I just adore Husker Du and Bob Mould. This is an lovely autobiography written with gripping honesty and literary flair. If you like Husker Du/Bob Mould/Sugar - then get it. You will not be disappointed
This is a good read about a great musician. Mould is a legend here in Minnesota among my generation, and I think there is something for everyone who might be curious about his life and career. Extremely personal, sometimes uncomfortably so. Still, knowing his honest, frank songwriting style, I can appreciate his candor. There is also allot of first hand insight into the music scene that he and so many cool bands created on there own in the 1980's.
He's in a league of his own in that he's managed great success in a tough business and I think he sets a stage for others that are gay in the industry. I was surprised to hear that it was even an issue... his story is engaging and opened my eyes to how trailblazers like him actually made a living in the music business.
I love Bob Mould, mostly the Sugar era. Bob is coming to Minneapolis in September to play his "Copper Blue" review tour, (2012). I wanted to re-acquaint myself with Bob and his work, so I picked up his book.The book does start with a very "in your face" story of Bob and his lover. So we get that out of the way. It moves onto the more interesting accounts of his music from Husker Du to his solo career. I feel like Bob is very honest with his emotions and history. As a music lover it is always interesting to find out the background to the "hows" and "whys" an album or song makes it. I have read some other music history accounts of Bob Mould that were not very praising. It is good to read both sides.If you really love Bob Mould's music, from any stage of his career, I would say that you would find this book very interesting.
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